Science & Health
0 Comments

NASA chief warns of Chinese military presence in space

Washington — China is bolstering its space capabilities and is using its civilian program to mask its military objectives, the head of the U.S. space agency said Wednesday, warning that Washington must remain vigilant.

“China has made extraordinary strides especially in the last 10 years, but they are very, very secretive,” NASA administrator Bill Nelson told lawmakers on Capitol Hill.

“We believe that a lot of their so-called civilian space program is a military program. And I think, in effect, we are in a race,” Nelson said.

He said he hoped Beijing would “come to its senses and understand that civilian space is for peaceful uses,” but added: “We have not seen that demonstrated by China.”

Nelson’s comment came as he testified before the House Appropriations Committee on NASA’s budget for fiscal 2025.

He said the United States should land on the moon again before China does, as both nations pursue lunar missions, but he expressed concern that were Beijing to arrive first, it could say: “‘OK, this is our territory, you stay out.'”

The United States is planning to put astronauts back on the moon in 2026 with its Artemis 3 mission. China says it hopes to send humans to the moon by 2030.

Nelson said he was confident the United States would not lose its “global edge” in space exploration.

“But you got to be realistic,” he said. “China has really thrown a lot of money at it and they’ve got a lot of room in their budget to grow. I think that we just better not let down our guard.”

0
Science & Health
0 Comments

Hospitals in eastern DRC face vaccine shortages

Goma — In the eastern Democratic Republic of Congo, specifically in the Beni and Butembo region, parents are finding it hard getting vaccines for their children. Health care providers report that vaccines have been in short supply for several months, leaving thousands of children unvaccinated. Parents worried about their children’s health are calling on authorities to quickly resolve the situation.

In the town of Butembo, vaccination programs have come to a stop. The head nurse of the Makasi health area, Kambale Wangahikya, confirms the absence of vaccines in certain areas of North Kivu province.

He said they’re missing several vaccines, such as the one that fights pneumonia and helps children fight coughs, and also the vaccine that fights meningitis and mumps. He said that all children born and unborn are therefore still at risk.

This situation creates frustrations for breastfeeding women. One mother, Kasoki, is worried because her infant son has not yet received the BCG vaccine against tuberculosis.

She said she has a 4-month-old baby, but he’s having trouble getting BCG and other vaccines. She went to the hospital four times and couldn’t find anything. The doctors gave her several appointments but when she arrived, she could hardly find anything. She’s worried that her baby will catch serious diseases.

Another mother, Stephanie’s, said she made several trips to health facilities to have her child vaccinated. It was only last week, she said, that her son received his first dose of any vaccine. She told us about the fear she felt.

She said she felt very bad because the vaccine she had been looking for a long time was very important for her child, because if he didn’t get it, he would be exposed to disabilities and diseases when he grew up. She said that the health authorities should force themselves to bring in the vaccines, because this shortage could cause problems for the children later on.

Kasoki Defrose, a nurse at Beni’s university clinic, said that not vaccinating children has consequences for the physical health of newborns. She said that local authorities are working hard to respond to this shortage.

She said that if children aren’t vaccinated against polio, for example, they risk becoming weak and their muscles won’t be strengthened. She said the authorities intend to respond to the shortage soon.

According to officials from the Beni health zone, which oversees dozens of hospitals in the region, over 1,000 children are waiting to be vaccinated in several towns in the Beni and Butembo region.

0
Science & Health
0 Comments

New effort tackles drug overdose epidemic in US

The Biden Administration has launched a new effort to tackle the drug overdose epidemic in the United States, which in 2022 took more than 100,000 lives, according to the U.S. Centers for Disease Control and Prevention. But as VOA’s Veronica Balderas Iglesias reports, some critics say there are some gaps in the government’s strategy to save lives.

0
Science & Health
0 Comments

Report: Decades of progress in sexual, reproductive health being rolled back

GENEVA — Decades of progress in sexual and reproductive health are being rolled back with the poorest, most vulnerable members of society at greatest risk of losing out on lifesaving services, according to the 2024 State of World Population report.  

The report, issued Wednesday by the U.N. Population Fund, UNFPA, says, “The data are damning.”  

“Women and girls who are poor, belong to ethnic, racial and indigenous minority groups, or are trapped in conflict settings, are more likely to die because they lack access to timely health care.”  

Thirty years ago, 179 governments that attended the International Conference on Population and Development in Cairo pledged that they would place sexual and reproductive health at the core of sustainable development, to empower women and girls, and achieve gender equality.  

“There was a moment in Cairo when humanity came together in agreement that women should not die while giving life. And this is a worthy pursuit,” Dr. Natalia Kanem, UNFPA executive director, told journalists in Geneva on Monday, in advance of the report’s publication.  

Unfortunately, she said, the promise of Cairo is not being met. Women are still being left behind. That, she added, is happening after a generation of notable achievement in reducing the rate of unintended pregnancy, in lowering maternal deaths by one-third, and in securing laws against domestic violence in more than 160 countries.  

“In the report, we show that inequalities are widening, human reproduction is being politicized. The rights of women, girls and gender-diverse people are the subject of increasing pushback … progress is slowing and by many measures it has stalled completely,” she said.  

“Annual reductions in maternal deaths have flatlined. Since 2016, the world made zero progress in saving women from preventable deaths in pregnancy and childbirth,” she said, noting that 800 women die every day giving birth.  

Instead of being empowered, she said women continue to be repressed and denied their rights. “One woman in four cannot make her own health care decisions, one woman in four cannot say no to sex, and nearly one in 10 are unable to make their own choices about whether or not to use contraception,” she said.  

The report finds racism, sexism, and other forms of discrimination are blocking women’s and girls’ access to sexual and reproductive health and that those living in poor, developing countries are far more likely to die from a lack of services than are women and girls in richer countries.  

The report says African women are most at risk. It says an African woman who experiences pregnancy and childbirth complications is around 130 times more likely to die from them than a woman in Europe or North America.  

It says nearly 500 deaths a day, more than half of all preventable maternal deaths, occur in countries with humanitarian crises and conflicts.  

The report notes that women of African descent across the Americas are more likely to die in childbirth than white women, noting, “In the United States, the rate is three times higher than the national average.”  

Kanem says the data show that “inequalities are killing women,” adding they are dying because “health systems today are weak, tainted by gender inequality, by racial discrimination, and by misinformation.”  

For example, she notes that midwives are undervalued, underpaid and under-supported in male-dominated health systems “even though increasing midwifery coverage could avert more than 40 percent of maternal deaths.”  

“We also see that women of African descent experience higher rates of mistreatment and neglect by health providers. Indigenous women are routinely denied culturally appropriate maternal health care.  

“As a result, these groups are much more likely and, in some places, six times more likely to die in pregnancy or childbirth,” she said.  

Nowhere in the 168-page report does the word “abortion” appear in the text. Kanem explains that as a U.N. entity, UNFPA does not take a position on member state policies and complies with whatever national governments determine “about that procedure.”  

However, she noted that UNFPA believes that, “Where legal in countries it should be safe and accessible and where not legal, it should be clear that post-abortion services, typically presenting as hemorrhage and bleeding, must be available, no matter the legal status. 

“In my mind, it is clear that unsafe abortion, the result of not having contraception … is a leading cause of this stubborn maternal death globally,” indicating that deaths from unsafe abortions are likely to be higher than the data suggest.  

“Often the physician is not going to put ‘unsafe abortion’ on the death certificate. You will see hemorrhage or some other concomitant cause,” she said.  

The report shows that investing in sexual and reproductive health benefits everyone and would contribute trillions of dollars to the global economy.  

Authors of the report say that spending an additional $79 billion in low- and middle-income countries by 2030 “would avert 400 million unplanned pregnancies, save one million lives and generate $660 billion in economic benefits.”

0
Arts & Entertainment/Economy & business
0 Comments

Gun supervisor gets 18 months in prison for fatal movie set shooting by Alec Baldwin

santa fe, new mexico — A movie weapons supervisor was sentenced to 18 months in prison in the fatal shooting of a cinematographer by Alec Baldwin on the set of the Western film “Rust,” during a hearing Monday in which tearful family members and friends gave testimonials that included calls for justice and a punishment that would instill greater accountability for safety on film sets.

Movie armorer Hannah Gutierrez-Reed was convicted in March by a jury on a charge of involuntary manslaughter in the death of cinematographer Halyna Hutchins and has been held for more than a month at a county jail on the outskirts of Santa Fe.

Prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of “Rust” where it was expressly prohibited and for failing to follow basic gun safety protocols.

Gutierrez-Reed was unsuccessful in her plea for a lesser sentencing, telling the judge she was not the monster that people have made her out to be and that she had tried to do her best on the set despite not having “proper time, resources and staffing.”

Baldwin, the lead actor and co-producer for “Rust,” was pointing a gun at Hutchins during a rehearsal on a movie set outside Santa Fe in October 2021 when the revolver went off, killing Hutchins and wounding director Joel Souza.

Baldwin has pleaded not guilty to a charge of involuntary manslaughter. He is scheduled for trial in July at a courthouse in Santa Fe.

The sentence against Gutierrez-Reed was delivered by New Mexico Judge Mary Marlowe Summer, who is overseeing proceedings against Baldwin. The judge said anything less than the maximum sentence would not be appropriate given that Gutierrez-Reed’s recklessness amounted to a serious violent offense.

“You were the armorer, the one that stood between a safe weapon and a weapon that could kill someone,” the judge told Gutierrez-Reed. “You alone turned a safe weapon into a lethal weapon. But for you, Ms. Hutchins would be alive, a husband would have his partner and a little boy would have his mother.”

 

Gutierrez-Reed teared up as Hutchins’ agent, Craig Mizrahi, spoke about the cinematographer’s creativity and described her as a rising star in Hollywood. He said it was a chain of events that led to Hutchins’ death and that had the armorer been doing her job, that chain would have been broken.

Los Angeles-based attorney Gloria Allred read a statement by Hutchins’ mother, Olga Solovey, who said her life had been split in two and that time didn’t heal, rather it only prolonged her pain and suffering. A video of a tearful Solovey, who lives in Ukraine, also was played for the court.

“It’s the hardest thing to lose a child. There’s no words to describe,” Solovey said in her native language.

Defense attorneys for Gutierrez-Reed requested leniency in sentencing — including a possible conditional discharge that would avoid further jail time and leave an adjudication of guilt off her record if certain conditions are met.

Gutierrez-Reed was acquitted at trial of allegations she tampered with evidence in the “Rust” investigation. She also has pleaded not guilty to a separate felony charge that she allegedly carried a gun into a bar in Santa Fe where firearms are prohibited.

Defense attorneys have highlighted Gutierrez-Reed’s relatively young age “and the devastating effect a felony will have on her life going forward.”

They said the 26-year-old will forever be affected negatively by intense publicity associated with her prosecution in parallel with an A-list actor, and has suffered from anxiety, fear and depression as a result.

Special prosecutor Kari Morrissey urged the judge to impose the maximum prison sentence and designate Gutierrez-Reed as a “serious violent offender” to limit her eligibility for a sentence reduction later, describing the defendant’s behavior on the set of “Rust” as exceptionally reckless.

Defense attorneys argued Monday that Gutierrez-Reed was remorseful and had breakdowns over Hutchins’ death. They also pointed to systemic problems that led to the shooting.

“Rust” assistant director and safety coordinator Dave Halls last year pleaded no contest to negligent handling of a firearm and completed a sentence of six months unsupervised probation. “Rust” props master Sarah Zachry, who shared some responsibilities over firearms on the set of “Rust,” signed an agreement with prosecutors to avoid prosecution in return with her cooperation.

0
Arts & Entertainment/Economy & business
0 Comments

At birthplace of Olympics, performers at flame-lighting ceremony feel a pull of ancient past

ANCIENT OLYMPIA, Greece — No one knows what music in ancient Greece sounded like or how dancers once moved.

Every two years, a new interpretation of the ancient performance gets a global audience. It takes place in southern Greece at a site many still consider sacred: the birthplace of the Olympic Games.

Forty-eight performers, chosen in part for their resemblance to youths in antiquity as seen in statues and other surviving artwork, will take part Tuesday in the flame-lighting ceremony for the Paris Olympics. 

Details of the 30-minute performance are fine-tuned — and kept secret — right up until a public rehearsal Monday.

The Associated Press got rare access to rehearsals that took place during weekends, mostly at an Olympic indoor cycling track in Athens. 

As riders whiz around them on the banked cycling oval, the all-volunteer Olympic performers snatch poses from ancient vases. Sequences are repeated and re-repeated under the direction of the hyper-focused head choreographer Artemis Ignatiou.

“In ancient times there was no Olympic flame ceremony,” Ignatiou said during a recent practice session.

“My inspiration comes from temple pediments, from images on vases, because there is nothing that has been preserved — no movement, no dance — from antiquity,” she said. “So basically, what we are doing is joining up those images. Everything in between comes from us.”

Ceremonies take place at Olympia every two years for the Winter and Summer Games, with the sun’s rays focused on the inside of a parabolic mirror to produce the Olympic flame and start the torch relay to the host city.

Women dressed as priestesses are at the heart of the ceremony, first held for the 1936 Olympics in Berlin. Leading the group is an actress who performs the role of high priestess and makes a dramatic appeal to Apollo, the ancient god of the sun, for assistance moments before the torch is lit.

Over the decades, new ingredients have been progressively added: music, choreography, new colors for the costumes, male performers known as “kouroi” and subtle style inclusions to give a nod to the culture of the Olympic host nation.

Adding complexity also has introduced controversy, inevitably amplified by social media. Criticism this year has centered on the dresses and tunics to be worn by the performers, styled to resemble ancient Greek columns. Faultfinders have called it a rude departure from the ceremony’s customary elegance.

Organizers hope the attire will create a more positive impression when witnessed at the ruins of ancient Olympia.

Counting out the sequences, Ignatiou controls the music with taps on her cell phone while keeping track of the male dancers at the velodrome working on a stop motion-like routine and women who glide past them like a slowly uncoiling spring.

Ignatiou has been involved with the ceremony for 36 years, as priestess, high priestess, assistant and then head choreographer since 2008. She takes in the criticism with composure.

She’s still moved to tears when describing the flame lighting, but defers to her dancers to describe their experience of the five-month participation at practices.

Most in their early twenties, the performers are selected from dance and drama academies with an eye on maintaining an athletic look and classic Greek aesthetic, the women with hair pulled back in neat double-braids.

Christiana Katsimpraki, a 23-year-old drama school student who is taking part at Olympia for the first time, said she wants to repay the kindness shown to her by older performers.

“Before I go to bed, when I close my eyes, I go through the whole choreography — a run through — to make sure I have all the steps memorized and that they’re in the right order,” she said. “It’s so that the next time I can come to the rehearsal, it all goes correctly and no one gets tired.”

The ceremony is performed to sparse music, and final routine modifications are made at Olympia, in part to cope with the pockmarked and uneven ground at the site.

Dancers describe the fun they have in messaging groups, the good-natured pranks played on newcomers and fun they have on the four-hour bus ride to the ancient site in southern Greece — but also the significance of the moment and the pull of the past.

“I’m in awe that we’re going there and that I’m going to be part of this whole team,” 23-year-old performer Kallia Vouidaski said. “I’m going to have this entire experience that I watched when I was little on TV. I would say, ’Oh! How cool would it be if I could do this at some point.’ And I did it.”

The flame-lighting ceremony will start at 0830 GMT Tuesday. A separate flame-handover ceremony to the Paris 2024 organizing committee will be held in Athens on April 26. 

0
Economy & business/Silicon Valley & Technology
0 Comments

AI-generated fashion models could bring more diversity to industry — or leave it with less

Chicago, Illinois — London-based model Alexsandrah has a twin, but not in the way you’d expect: Her counterpart is made of pixels instead of flesh and blood.

The virtual twin was generated by artificial intelligence and has already appeared as a stand-in for the real-life Alexsandrah in a photo shoot. Alexsandrah, who goes by her first name professionally, in turn receives credit and compensation whenever the AI version of herself gets used — just like a human model.

Alexsandrah says she and her alter-ego mirror each other “even down to the baby hairs.” And it is yet another example of how AI is transforming creative industries — and the way humans may or may not be compensated.

Proponents say the growing use of AI in fashion modeling showcases diversity in all shapes and sizes, allowing consumers to make more tailored purchase decisions that in turn reduces fashion waste from product returns. And digital modeling saves money for companies and creates opportunities for people who want to work with the technology.

But critics raise concerns that digital models may push human models — and other professionals like makeup artists and photographers — out of a job. Unsuspecting consumers could also be fooled into thinking AI models are real, and companies could claim credit for fulfilling diversity commitments without employing actual humans.

“Fashion is exclusive, with limited opportunities for people of color to break in,” said Sara Ziff, a former fashion model and founder of the Model Alliance, a nonprofit aiming to advance workers’ rights in the fashion industry. “I think the use of AI to distort racial representation and marginalize actual models of color reveals this troubling gap between the industry’s declared intentions and their real actions.”  

Women of color in particular have long faced higher barriers to entry in modeling and AI could upend some of the gains they’ve made. Data suggests that women are more likely to work in occupations in which the technology could be applied and are more at risk of displacement than men.

In March 2023, iconic denim brand Levi Strauss & Co. announced that it would be testing AI-generated models produced by Amsterdam-based company Lalaland.ai to add a wider range of body types and underrepresented demographics on its website. But after receiving widespread backlash, Levi clarified that it was not pulling back on its plans for live photo shoots, the use of live models or its commitment to working with diverse models.

“We do not see this (AI) pilot as a means to advance diversity or as a substitute for the real action that must be taken to deliver on our diversity, equity and inclusion goals and it should not have been portrayed as such,” Levi said in its statement at the time.

The company last month said that it has no plans to scale the AI program.

The Associated Press reached out to several other retailers to ask whether they use AI fashion models. Target, Kohl’s and fast-fashion giant Shein declined to comment; Temu did not respond to a request for comment.

Meanwhile, spokespeople for Nieman Marcus, H&M, Walmart and Macy’s said their respective companies do not use AI models, although Walmart clarified that “suppliers may have a different approach to photography they provide for their products, but we don’t have that information.”

Nonetheless, companies that generate AI models are finding a demand for the technology, including Lalaland.ai, which was co-founded by Michael Musandu after he was feeling frustrated by the absence of clothing models who looked like him.

“One model does not represent everyone that’s actually shopping and buying a product,” he said. “As a person of color, I felt this painfully myself.”

Musandu says his product is meant to supplement traditional photo shoots, not replace them. Instead of seeing one model, shoppers could see nine to 12 models using different size filters, which would enrich their shopping experience and help reduce product returns and fashion waste.

The technology is actually creating new jobs, since Lalaland.ai pays humans to train its algorithms, Musandu said.

And if brands “are serious about inclusion efforts, they will continue to hire these models of color,” he added.

London-based model Alexsandrah, who is Black, says her digital counterpart has helped her distinguish herself in the fashion industry. In fact, the real-life Alexsandrah has even stood in for a Black computer-generated model named Shudu, created by Cameron Wilson, a former fashion photographer turned CEO of The Diigitals, a U.K.-based digital modeling agency.

Wilson, who is white and uses they/them pronouns, designed Shudu in 2017, described on Instagram as the “The World’s First Digital Supermodel.” But critics at the time accused Wilson of cultural appropriation and digital Blackface.

Wilson took the experience as a lesson and transformed The Diigitals to make sure Shudu — who has been booked by Louis Vuitton and BMW — didn’t take away opportunities but instead opened possibilities for women of color. Alexsandrah, for instance, has modeled in-person as Shudu for Vogue Australia, and writer Ama Badu came up with Shudu’s backstory and portrays her voice for interviews.

Alexsandrah said she is “extremely proud” of her work with The Diigitals, which created her own AI twin: “It’s something that even when we are no longer here, the future generations can look back at and be like, ‘These are the pioneers.'”

But for Yve Edmond, a New York City area-based model who works with major retailers to check the fit of clothing before it’s sold to consumers, the rise of AI in fashion modeling feels more insidious.

Edmond worries modeling agencies and companies are taking advantage of models, who are generally independent contractors afforded few labor protections in the U.S., by using their photos to train AI systems without their consent or compensation.

She described one incident in which a client asked to photograph Edmond moving her arms, squatting and walking for “research” purposes. Edmond refused and later felt swindled — her modeling agency had told her she was being booked for a fitting, not to build an avatar.

“This is a complete violation,” she said. “It was really disappointing for me.”

But absent AI regulations, it’s up to companies to be transparent and ethical about deploying AI technology. And Ziff, the founder of the Model Alliance, likens the current lack of legal protections for fashion workers to “the Wild West.”

That’s why the Model Alliance is pushing for legislation like the one being considered in New York state, in which a provision of the Fashion Workers Act would require management companies and brands to obtain models’ clear written consent to create or use a model’s digital replica; specify the amount and duration of compensation, and prohibit altering or manipulating models’ digital replica without consent.

Alexsandrah says that with ethical use and the right legal regulations, AI might open up doors for more models of color like herself. She has let her clients know that she has an AI replica, and she funnels any inquires for its use through Wilson, who she describes as “somebody that I know, love, trust and is my friend.” Wilson says they make sure any compensation for Alexsandrah’s AI is comparable to what she would make in-person.

Edmond, however, is more of a purist: “We have this amazing Earth that we’re living on. And you have a person of every shade, every height, every size. Why not find that person and compensate that person?”

0