fun together
Before the creation of engines, the ocean was full of low-emission vessels — they were called sailboats. Now a next-generation zero-emissions laboratory vessel called the Energy Observer recently docked in New York City to show off what this team hopes is the next generation of earth-friendly boats. Elena Wolf has the story, narrated by Anna Rice. Videographer: Max Avloshenko
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LONDON — The European Union on Monday demanded TikTok provide more information about a new app that pays users to watch videos and warned that it could order the video sharing platform to suspend addictive features that pose a risk to kids.
The 27-nation EU’s executive commission said it was opening formal proceedings to determine whether TikTok Lite breached the bloc’s new digital rules when the app was rolled out in France and Spain.
Brussels was ratcheting up the pressure on TikTok after the company failed to respond to a request last week for information on whether the new app complies with the Digital Services Act, a sweeping law that took effect last year intending to clean up social media platforms.
TikTok Lite is a slimmed-down version of the main TikTok app that lets users earn rewards. Points earned by watching videos, liking content and following content creators can then be exchanged for rewards including Amazon vouchers and gift cards on PayPal.
The commission wants to see the risk assessment that TikTok should have carried out before deploying the app in the European Union. It’s worried TikTok launched the app without assessing how to mitigate “potential systemic risks” such as addictive design features that could pose harm to children.
TikTok didn’t respond immediately to a request for comment. The company said last week it would respond to the commission’s request and noted that rewards are restricted to users 18 years and older, who have to verify their age.
“With an endless stream of short and fast-paced videos, TikTok offers fun and a sense of connection beyond your immediate circle,” said European Commissioner Thierry Breton, one of the officials leading the bloc’s push to rein in big tech companies. “But it also comes with considerable risks, especially for our children: addiction, anxiety, depression, eating disorders, low attention spans.”
The EU is giving TikTok 24 hours to turn over the risk assessment and until Wednesday to argue its case. Any order to suspend the TikTok Lite app’s reward features could come as early as Thursday.
It’s the first time that the EU has issued a legally binding order for such information since the Digital Services Act took effect. Officials stepped up the pressure after TikTok failed to respond to last week’s request for the information.
If TikTok still fails to respond, the commission warned the company also faces fines worth up to 1% of the company’s total annual income or worldwide turnover and “periodic penalties” of up to 5% of daily income or global turnover.
TikTok was already facing intensified scrutiny from the EU. The commission already has an ongoing in-depth investigation into the main TikTok app’s DSA compliance, examining whether it’s doing enough to curb “systemic risks” stemming from its design, including “algorithmic systems” that might stimulate “behavioral addictions.” Offices are worried that measures including age verification tools to stop minors from finding “inappropriate content” might not be effective.
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Nairobi, Kenya — Government representatives from Africa, along with ICT (information and communication technology) officials, and international organizations have gathered in Nairobi for a Connected Africa Summit. They are discussing the future of technology, unlocking the continent’s growth beyond connectivity, and addressing the challenges and opportunities in the continent’s information and technology sector.
Speaking at the Connected Africa Summit opening in Nairobi Monday, Kenyan President William Ruto said bridging the technology gap is important for Africa’s economic growth and innovation.
“Closing the digital divide is a priority in terms of enhancing connectivity, expanding the contribution of the ICT sector to Africa’s GDP and driving overall GDP growth across all sectors. Africa’s digital economy has immense potential…,” Ruto said. “Our youth population, the youngest globally, is motivated and prepared to drive the digital economy, foster innovation and entrench new technologies.”
Experts say digital transformation in Africa can improve its industrialization, reduce poverty, create jobs, and improve its citizens’ lives.
According to the World Bank, 36 percent of Africa’s 1.3 billion population have access to the internet, and in some of the areas that have connections, the quality of the service is poor compared to other regions.
The international financial institution figures show that Africa saw a 115 percent increase in internet users between 2016 and 2021 and that 160 million gained broadband internet access between 2019 and 2022.
Africa’s digital growth has been hampered by the lack of an accessible, secure, and reliable internet, which is critical in closing the digital gap and reducing inequalities.
Lacina Kone is the head of Smart Africa, an organization that coordinates ICT activities within the continent. He says integrating technology into African societies’ daily activities is necessary and cannot be ignored.
“Digital transformation is no longer a choice but a necessity, just like water utility, just like any other utility we use at home,” Kone said. “So, this connected Africa is an opportunity for all of us. I see a lot of country members, and ICT ministers are here to align our visions together.”
The COVID-19 pandemic has accelerated the consumption of technology in different sectors of the African economy, and experts say opportunities now exist in mobile services, the development of broadband infrastructure, and data storage.
The U.S. ambassador to Kenya, Meg Whitman, called on the summit attendees to develop technologies that can solve people’s problems.
“I encourage all of you to consider this approach for your economies. Look at what strengths already exist in your countries and ask how technology can solve challenges in those sectors to make you a leader through innovation,” Whitman said. “Sometimes innovation looks like Artificial Intelligence, satellites and e-money. Sometimes though it looks much different than we expect. However, innovation always includes three elements: solution focused, it’s specific and it’s sustainable. Bringing solution-focused, being solution-focused is the foundation of shaping the future of a connected Africa.”
The summit ends on Friday, but before that, those attending aim to explore ways to improve Africa’s technology usage, enhance continental connectivity, boost competitiveness, and ensure the continent keeps up with the ever-evolving tech sector.
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cologne, germany — For the past year, five fit, academically superior men and women have been spun in centrifuges, submerged for hours, deprived temporarily of oxygen, taught to camp in the snow, and schooled in physiology, anatomy, astronomy, meteorology, robotics, and Russian.
On Monday, the five Europeans and an Australian graduated from basic training with a new title: astronaut.
At a ceremony in Cologne, Germany, ESA added the five newcomers to its astronaut corps eligible for missions to the International Space Station, bringing the total to 11.
ESA has negotiated with NASA for three places on future Artemis moon missions, although those places will likely go to the more senior astronauts, according to ESA Director General Josef Aschbacher. The agency is also supplying the service module for the Orion crew capsule. ESA relies on NASA and others to get its astronauts to space.
It is only the fourth astronaut class since 1978 for the 22-country agency, chosen from among 22,500 applicants. Another 12 were selected as reservists, but were not sent to basic training. Not surprisingly, the five have resumes studded with advanced scientific and medical degrees, military training, experience flying planes, helicopters, gliders and balloons, and “leisure” activities like rowing, scuba diving, hiking, skydiving, cycling, sailing, and kayaking.
The group formed “a very good team” devoid of personal rivalry, said Aschbacher. “I told them, one of you will fly first and one will fly last, and they accepted that of course, but from the heart, not just lip service … the team spirit is very pronounced.”
Sophie Adenot, a French air force helicopter test pilot, said the group was “a fantastic crew and a fantastic team.” The moment that struck her the most was leaving the airlock for underwater spacewalk simulation when the instructor said, “Welcome to space.”
“And for me it was mind-blowing, I had goosebumps. … In a few years it is going to be me in space, not in the water with safety divers.”
When she was a girl dreaming of space travel, “I couldn’t count the number of people who told me, this dream will never come true. ‘You have unrealistic dreams, and it will never happen.’ … Listen to yourself and don’t listen to people who don’t believe in you.”
In addition to Adenot, the ESA class consists of:
— Pablo Alvarez Fernandez, a Spanish aeronautical engineer who has worked on the Rosalind Franklin Mars rover intended for a joint mission with Russia that was suspended after the invasion of Ukraine;
— Rosemary Coogan, a British astronomer who has researched radiation emissions from black holes;
— Raphael Liegeois, a Belgian biomedical engineer and neuroscientist who has researched degenerative diseases of the nervous system, and also flies hot-air balloons and gliders;
— Marco Alain Sieber, a Swiss emergency physician who achieved sergeant rank as a paratrooper during his service with the Swiss army.
The group was joined by Katherine Bennell-Pegg from Australia, who underwent training under a cooperation agreement between Australia and ESA. She remains an employee of the Australian Space Agency. It’s up to the Australian agency to find a way for her to travel in space.
Their yearlong basic training included preparation for the hostile environment encountered in space. They were exposed to multiple times the force of gravity in a centrifuge and spent hours underwater using scuba gear to float around mockups of space station modules to simulate working in zero gravity.
They learned how to recognize symptoms of hypoxia, or lack of oxygen, by experiencing it themselves in a low-pressure chamber. Survival training included dealing with potential splashdown in the ocean and staying warm in winter while waiting to be recovered in case a landing goes off course. On top of that came academic work on scientific topics and learning about the space station’s modules and equipment.
Intensive Russian language is still part of the program, even though ESA has suspended work with Russia except for the space station, where one of the working languages is Russian.
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Experts say one of the health care challenges in Africa is a shortage of training and education for workers. To help, a U.S. charity called Mission to Heal is training local workers who serve patients in remote locations. Juma Majanga reports from Ngurunit village in northern Kenya. Videographer: Jimmy Makhulo
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new york — Mary J. Blige,Cher, Foreigner, A Tribe Called Quest, Kool & The Gang and Ozzy Osbourne have been inducted into the Rock & Roll Hall of Fame, a class that also includes folk-rockers Dave Matthews Band and singer-guitarist Peter Frampton.
Alexis Korner, John Mayall and Big Mama Thornton earned the Musical Influence Award, while the late Jimmy Buffett, MC5, Dionne Warwick and Norman Whitfield will get the Musical Excellence Award. Pioneering music executive Suzanne de Passe won the Ahmet Ertegun Award.
“Rock ‘n’ roll is an ever-evolving amalgam of sounds that impacts culture and moves generations,” John Sykes, chairman of the Rock & Roll Hall of Fame Foundation, said in a statement. “This diverse group of inductees each broke down musical barriers and influenced countless artists that followed in their footsteps.”
The induction ceremony will be held October 19 at the Rocket Mortgage Fieldhouse in the city of Cleveland in the U.S. state of Ohio. It will stream live on Disney+ with an airing on ABC at a later date and available on Hulu the next day.
The music acts nominated this year but didn’t make the cut included Mariah Carey, Lenny Kravitz, the late Sinead O’Connor, soul-pop singer Sade, Britpoppers Oasis, hip-hop duo Eric B. & Rakim, and alt-rockers Jane’s Addiction.
There had been a starry push to get Foreigner — with the hits “Urgent” and Hot Blooded” — into the hall, with Mark Ronson, Jack Black, Slash, Dave Grohl and Paul McCartney all publicly backing the move. Ronson’s stepfather is Mick Jones, Foreigner’s founding member, songwriter and lead guitarist.
Osbourne, who led many parents in the 1980s to clutch their pearls with his devil imagery and sludgy music, goes in as a solo artist, having already been inducted into the hall with metal masters Black Sabbath.
Four of the eight nominees — Cher, Foreigner, Frampton and Kool & the Gang — were on the ballot for the first time.
Cher — the only artist to have a Number 1 song in each of the past six decades — and Blige, with eight multi-platinum albums and nine Grammy Awards, will help boost the number of women in the hall, which critics say is too low.
Artists must have released their first commercial recording at least 25 years before they’re eligible for induction.
Nominees were voted on by more than 1,000 artists, historians and music industry professionals. Fans voted online or in person at the museum, with the top five artists picked by the public making up a “fans’ ballot” that was tallied with the other professional ballots.
Last year, Missy Elliott, Willie Nelson, Sheryl Crow, Chaka Khan, “Soul Train” creator Don Cornelius, Kate Bush, and the late George Michael were some of the artists who got into the hall.
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A Ukrainian version of the Minecraft game features Canadian actress Katheryn Winnick, U.S. astronaut Scott Kelly, and other celebrities from around the globe. The new game, called Minesalt, is based on Ukraine’s famous Soledar salt mines. Anna Kosstutschenko reports. Camera: Pavel Suhodolskiy.
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New York — “Civil War,” Alex Garland’s ominous American dystopia, remained the top film in theaters in its second week of release, according to studio estimates Sunday.
The A24 election-year gamble, the indie studio’s biggest budgeted film yet, took in $11.1 million in ticket sales at 3,929 theaters over the weekend. The $50 million film, set in a near-future U.S. in which Texas and California have joined in rebellion against a fascist president, has grossed $44.9 million in two weeks.
Its provocative premise — and A24’s marketing, which included images of U.S. cities ravaged by war — helped keep “Civil War” top of mind for moviegoers.
But it was a painfully slow weekend in theaters — the kind sure to add to concern over what’s thus far been a down year for Hollywood at the box office.
Going into the weekend, Universal Pictures’ “Abigail,” a critically acclaimed R-rated horror film about the daughter of Dracula, had been expected to lead ticket sales. It came in second with $10.2 million in 3,384 theaters.
That was still a fair result for a film that cost a modest $28 million to make. “Abigail,” which remakes the 1936 monster film “Dracula’s Daughter,” is about a 12-year-old girl taken by kidnappers who soon realize they’ve made a poor choice of hostage. It’s directed by the duo Matt Bettinelli-Olpin and Tyler Gillett whose production company goes by the name Radio Silence.
More concerning was the overall tepid response for a handful of new wide releases — and the likelihood that there will be more similar weekends throughout 2024. Last year’s actors and writers’ strikes, which had a prolonged effect on the movie pipeline, exacerbated holes in Hollywood’s release schedule.
Horror films, in recent years among the most reliable cash cows in theaters, also haven’t thus far been doing the automatic business they previously did. According to David A. Gross, who runs the consulting firm Franchise Entertainment Research, horror releases accounted for $2 billion in worldwide sales in 2023.
Guy Ritchie’s “The Ministry of Ungentlemanly Warfare” debuted with $9 million in 2,845 theaters. In the based-on-a-true-story Lionsgate release, which reportedly cost $60 million to produce, Henry Cavill leads a World War II mission off the coast of West Africa.
Though Ritchie has been behind numerous box-office hits, including the live-action “Aladdin” and a pair of Sherlock Holmes films, his recent movies have struggled to find big audiences. The Lionsgate spy comedy “Operation Fortune: Ruse de Guerre” grossed $48 million against a $50 million budget, while MGM’s “The Covenant,” also released last year, made $21 million while costing $55 million to make.
A bright sign for “The Ministry of Ungentlemanly Warfare” — audiences liked it. The film earned an A-minus CinemaScore.
The anime “Spy x Family Code: White,” from Sony’s Crunchyroll, also struggled to stand out with audiences. Though the adaptation of the Tatsuya Endo manga TV series “Spy x Family” has already been a hit with international moviegoers, it debuted below expectations with $4.9 million in 2,009 U.S. theaters.
The mightiest film globally, though, continues to be “Godzilla x Kong: The New Empire.” The Warner Bros. monster movie has for the past month led worldwide ticket sales. It added another $9.5 million domestically and $21.6 million internationally to bring its four-week global total to $485.2 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
“Civil War,” $11.1 million.
“Abigail,” $10.2 million.
“Godzilla x Kong: The New Empire,” $9.5 million.
“The Ministry of Ungentlemanly Warfare,” $9 million.
“Spy x Family Code: White,” $4.9 million.
“Kung Fu Panda 4,” $4.6 million.
“Ghostbusters: Frozen Empire,” $4.4 million.
“Dune: Part Two,” $2.9 million.
“Monkey Man,” $2.2 million.
“The First Omen,” $1.7 million.
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