Economy & business/Silicon Valley & Technology
0 Comments

Swedish Embassy Exhibit Highlights Uses of Artificial Intelligence

WASHINGTON — Artificial Intelligence for good is the subject of a new exhibit at the Embassy of Sweden in Washington, showing how Swedish companies and organizations are using AI for a more open society, a healthier world, and a greener planet.

Ambassador Urban Ahlin told an embassy reception that Sweden’s broad collaboration across industry, academia and government makes it a leader in applying AI in public-interest areas, such as clean tech, social sciences, medical research, and greener food supply chains. That includes tracking the mood and health of cows.

Fitbit for cows

It is technology developed by DeLaval, a producer of dairy and farming machinery. The firm’s Market Solution Manager in North America Joaquin Azocar says the small wearable device the size of an earring fits in a cow’s ear and tracks the animal’s movements 24/7, much like a Fitbit.

The ear-mounted tags send out signals to receivers across the farm. DeLaval’s artificial intelligence system analyzes the data and looks for correlations in patterns, trends, and deviations in the animals’ activities, to predict if a cow is sick, in heat, or not eating well.

As a trained veterinarian, Azocar says dairy farmers being alerted sooner to changes in their animals’ behavior means they can provide treatment earlier which translates to less recovery time.

AI helping in childbirth

There are also advances in human health. The developing Pelvic Floor AI project is an AI-based solution to identify high-risk cases of pelvic floor injury and facilitate timely interventions to prevent and limit harm.

It was developed by a team of gynecologists and women’s health care professionals from Sweden’s Sahlgrenska University Hospital to help the nearly 20% of women who experience injury to their pelvic floor during childbirth.

The exhibition “is a great way to showcase the many ways AI is being adapted and used, in medicine and in many other areas,” said exhibition attendee Jesica Lindgren, general counsel for international consulting firm BlueStar Strategies. “It’s important to know how AI is evolving and affecting our everyday life.”

Green solutions using AI

The exhibition includes examples of what AI can do about climate change, including rising sea levels and declining biodiversity.

AirForestry is developing technology “for precise forestry that will select and harvest trees fully autonomously.” The firm says that “harvesting the right trees in the right place could significantly improve overall carbon sequestration and resilience.”

AI & the defense industry

Outlining the development of artificial intelligence for the defense industry, the exhibit admits that “can be controversial.”

“There are exciting possibilities to use AI to solve problems that cannot be solved using traditional algorithms due to their complexity and limitations in computational power,” the exhibit states. “But it requires thorough consideration of how AI should and shouldn’t be utilized. Proactively engaging in AI research is necessary to understand the technology’s capabilities and limitations and help shape its ethical standards.”

AI and privacy

Exhibition participant Quentin Black is an engineer with Axis Communications, an industry leader in video surveillance. He said the project came out of GDPR, or General Data Protection Regulation; an EU policy that provides privacy to citizens who are out in public whose image could be picked up on video surveillance cameras.

The regulations surrounding privacy are stricter in Europe than they are in the U.S., Black said.

“In the U.S. the public doesn’t really have an expectation of privacy; there’s cameras everywhere. In Europe, it’s different.” That regulation inspired Axis Communications to develop AI that provides privacy, he explained.

Black pointed to a large monitor divided into four windows, to show how AI is being used to set up four different filters to provide privacy.

The Axis Live Privacy Shield remotely monitors activities both indoors and outdoors while safeguarding privacy in real time. The technology is downloadable and free, to provide privacy to people and/or environments, using a variety of filters.

In the monitor on display in the exhibition, Black explained the four quadrants. The upper right window of the monitor displays privacy with a full color block out of all humans, using AI to distinguish the difference between the people and the environment.

The upper left window provides privacy to the person’s head. The bottom left corner provides pixelization, or a mosaic, of the person’s entire/whole body, and the immediate environment surrounding the person. And the bottom right corner shows blockage of the environment, so “an inverse of the personal privacy,” Black explained.

“So, if it was a top secret facility, or you want to see the people walking up to your door without a view of your neighbor’s house, this is where this can this be applied.”

Tip of the iceberg

“I think that AI is on everybody’s thoughts, and what I appreciate about the House of Sweden’s approach in this exhibition is highlighting a thoughtful, scientific, business-oriented and human-oriented perspective on AI in society today,” said Molly Steenson, President and CEO of the American Swedish Institute.

Though AI and machine learning have been around since the 1950s, she says it is only now that we are seeing “the contemporary upswing and acceleration of AI, especially generative AI in things like large language models.”

“So, while large companies and tech companies might want us to speed up and believe that it is only scary or it is only good, I think it’s a lot more nuanced than that,” she said.

0
Arts & Entertainment/Economy & business
0 Comments

Louis Gossett Jr, 1st Black Man to Win Supporting Actor Oscar, Dies at 87

LOS ANGELES — Louis Gossett Jr., the first Black man to win a supporting actor Oscar and an Emmy winner for his role in the seminal TV miniseries “Roots,” has died. He was 87. 

Gossett’s first cousin Neal L. Gossett told The Associated Press that the actor died Thursday night in Santa Monica, California. No cause of death was revealed. 

Gossett’s cousin remembered a man who walked with Nelson Mandela and who also was a great joke teller, a relative who faced and fought racism with dignity and humor. 

“Never mind the awards, never mind the glitz and glamour, the Rolls-Royces and the big houses in Malibu. It’s about the humanity of the people that he stood for,” his cousin said. 

 

Louis Gossett always thought of his early career as a reverse Cinderella story, with success finding him from an early age and propelling him forward, toward his Academy Award for “An Officer and a Gentleman.” 

He earned his first acting credit in his Brooklyn high school’s production of “You Can’t Take It with You” while he was sidelined from the basketball team with an injury. 

“I was hooked — and so was my audience,” he wrote in his 2010 memoir “An Actor and a Gentleman.” 

His English teacher urged him to go into Manhattan to try out for “Take a Giant Step.” He got the part and made his Broadway debut in 1953 at age 16. 

“I knew too little to be nervous,” Gossett wrote. “In retrospect, I should have been scared to death as I walked onto that stage, but I wasn’t.” 

Gossett attended New York University on a basketball and drama scholarship. He was soon acting and singing on TV shows hosted by David Susskind, Ed Sullivan, Red Buttons, Merv Griffin, Jack Paar and Steve Allen. 

Gossett became friendly with James Dean and studied acting with Marilyn Monroe, Martin Landau and Steve McQueen at an offshoot of the Actors Studio taught by Frank Silvera. 

In 1959, Gossett received critical acclaim for his role in the Broadway production of “A Raisin in the Sun” along with Sidney Poitier, Ruby Dee and Diana Sands. 

He went on to become a star on Broadway, replacing Billy Daniels in “Golden Boy” with Sammy Davis Jr. in 1964. 

Gossett went to Hollywood for the first time in 1961 to make the film version of “A Raisin in the Sun.” He had bitter memories of that trip, staying in a cockroach-infested motel that was one of the few places to allow Black people. 

In 1968, he returned to Hollywood for a major role in “Companions in Nightmare,” NBC’s first made-for-TV movie that starred Melvyn Douglas, Anne Baxter and Patrick O’Neal. 

This time, Gossett was booked into the Beverly Hills Hotel and Universal Studios had rented him a convertible. Driving back to the hotel after picking up the car, he was stopped by a Los Angeles County sheriff’s officer who ordered him to turn down the radio and put up the car’s roof before letting him go. 

Within minutes, he was stopped by eight sheriff’s officers, who had him lean against the car and made him open the trunk while they called the car rental agency before letting him go. 

“Though I understood that I had no choice but to put up with this abuse, it was a terrible way to be treated, a humiliating way to feel,” Gossett wrote in his memoir. “I realized this was happening because I was Black and had been showing off with a fancy car — which, in their view, I had no right to be driving.” 

After dinner at the hotel, he went for a walk and was stopped a block away by a police officer, who told him he broke a law prohibiting walking around residential Beverly Hills after 9 p.m. Two other officers arrived and Gossett said he was chained to a tree and handcuffed for three hours. He was eventually freed when the original police car returned. 

“Now I had come face-to-face with racism, and it was an ugly sight,” he wrote. “But it was not going to destroy me.” 

In the late 1990s, Gossett said he was pulled over by police on the Pacific Coast Highway while driving his restored 1986 Rolls Royce Corniche II. The officer told him he looked like someone they were searching for, but the officer recognized Gossett and left. 

He founded the Eracism Foundation to help create a world where racism doesn’t exist. 

Gossett made a series of guest appearances on such shows as “Bonanza,” “The Rockford Files,” “The Mod Squad,” “McCloud” and a memorable turn with Richard Pryor on “The Partridge Family.” 

In August 1969, Gossett had been partying with members of the Mamas and the Papas when they were invited to actor Sharon Tate’s house. He headed home first to shower and change clothes. As he was getting ready to leave, he caught a news flash on TV about Tate’s murder. She and others were killed by Charles Manson’s associates that night. 

“There had to be a reason for my escaping this bullet,” he wrote. 

Louis Cameron Gossett was born on May 27, 1936, in the Coney Island section of Brooklyn, New York, to Louis Sr., a porter, and Hellen, a nurse. He later added Jr. to his name to honor his father. 

Gossett broke through on the small screen as Fiddler in the groundbreaking 1977 miniseries “Roots,” which depicted the atrocities of slavery on TV. The sprawling cast included Ben Vereen, LeVar Burton and John Amos. 

Gossett became the third Black Oscar nominee in the supporting actor category in 1983. He won for his performance as the intimidating Marine drill instructor in “An Officer and a Gentleman” opposite Richard Gere and Debra Winger. He also won a Golden Globe for the same role. 

“More than anything, it was a huge affirmation of my position as a Black actor,” he wrote in his memoir. 

“The Oscar gave me the ability of being able to choose good parts in movies like ‘Enemy Mine,’ ‘Sadat’ and ‘Iron Eagle,'” Gossett said in Dave Karger’s 2024 book “50 Oscar Nights.” 

He said his statue was in storage. 

“I’m going to donate it to a library so I don’t have to keep an eye on it,” he said in the book. “I need to be free of it.” 

Gossett appeared in such TV movies as “The Story of Satchel Paige,” “Backstairs at the White House, “The Josephine Baker Story,” for which he won another Golden Globe, and “Roots Revisited.” 

But he said winning an Oscar didn’t change the fact that all his roles were supporting ones. 

He played an obstinate patriarch in the 2023 remake of “The Color Purple.” 

Gossett struggled with alcohol and cocaine addiction for years after his Oscar win. He went to rehab, where he was diagnosed with toxic mold syndrome, which he attributed to his house in Malibu. 

In 2010, Gossett announced he had prostate cancer, which he said was caught in the early stages. In 2020, he was hospitalized with COVID-19. 

He also is survived by sons Satie, a producer-director from his second marriage, and Sharron, a chef whom he adopted after seeing the 7-year-old in a TV segment on children in desperate situations. His first cousin is actor Robert Gossett. 

Gossett’s first marriage to Hattie Glascoe was annulled. His second, to Christina Mangosing, ended in divorce in 1975 as did his third to actor Cyndi James-Reese in 1992.

0
Arts & Entertainment/Economy & business
0 Comments

‘Oppenheimer’ Finally Premieres in Japan to Mixed Reactions, High Emotions

TOKYO — Oppenheimer finally premiered Friday in the nation where two cities were obliterated 79 years ago by the nuclear weapons invented by the American scientist who was the subject of the Oscar-winning film. Japanese filmgoers’ reactions understandably were mixed and highly emotional.

Toshiyuki Mimaki, who survived the bombing of Hiroshima when he was 3, said he has been fascinated by the story of J. Robert Oppenheimer, often called “the father of the atomic bomb” for leading the Manhattan Project.

“What were the Japanese thinking, carrying out the attack on Pearl Harbor, starting a war they could never hope to win?” he said, sadness in his voice, in a telephone interview with The Associated Press.

He is now chairperson of a group of bomb victims called the Japan Confederation of A- and H-Bomb Sufferers Organization and he saw Oppenheimer at a preview event. “During the whole movie, I was waiting and waiting for the Hiroshima bombing scene to come on, but it never did,” Mimaki said.

Oppenheimer does not directly depict what happened on the ground when the bombs were dropped on Hiroshima and Nagasaki, turning some 100,000 people instantly into ashes, and killed thousands more in the days that followed, mostly civilians.

The film instead focuses on Oppenheimer as a person and his internal conflicts.

The film’s release in Japan, more than eight months after it opened in the U.S., had been watched with trepidation because of the sensitivity of the subject matter.

Former Hiroshima Mayor Takashi Hiraoka, who spoke at a preview event for the film in the southwestern city, was more critical of what was omitted.

“From Hiroshima’s standpoint, the horror of nuclear weapons was not sufficiently depicted,” he was quoted as saying by Japanese media. “The film was made in a way to validate the conclusion that the atomic bomb was used to save the lives of Americans.”

Some moviegoers offered praise. One man emerging from a Tokyo theater Friday said the movie was great, stressing that the topic was of great interest to Japanese, although emotionally volatile as well. Another said he got choked up over the film’s scenes depicting Oppenheimer’s inner turmoil. Neither man would give his name to an Associated Press journalist.

In a sign of the historical controversy, a backlash flared last year over the “Barbenheimer” marketing phenomenon that merged pink-and-fun Barbie with seriously intense Oppenheimer. Warner Bros. Japan, which distributed Barbie in the country, apologized after some memes depicted the Mattel doll with atomic blast imagery.

Kazuhiro Maeshima, professor at Sophia University, who specializes in U.S. politics, called the film an expression of “an American conscience.”

Those who expect an anti-war movie may be disappointed. But the telling of Oppenheimer’s story in a Hollywood blockbuster would have been unthinkable several decades ago, when justification of nuclear weapons dominated American sentiments, Maeshima said.

“The work shows an America that has changed dramatically,” he said in a telephone interview.

Others suggested the world might be ready for a Japanese response to that story.

Takashi Yamazaki, director of Godzilla Minus One, which won the Oscar for visual effects and is a powerful statement on nuclear catastrophe in its own way, suggested he might be the man for that job.

“I feel there needs to an answer from Japan to Oppenheimer. Someday, I would like to make that movie,” he said in an online dialogue with Oppenheimer director Christopher Nolan.

Nolan heartily agreed.

Hiroyuki Shinju, a lawyer, noted Japan and Germany also carried out wartime atrocities, even as the nuclear threat grows around the world. Historians say Japan was also working on nuclear weapons during World War II and would have almost certainly used them against other nations, Shinju said.

“This movie can serve as the starting point for addressing the legitimacy of the use of nuclear weapons on Hiroshima and Nagasaki, as well as humanity’s, and Japan’s, reflections on nuclear weapons and war,” he wrote in his commentary on Oppenheimer published by the Tokyo Bar Association. 

0
Science & Health
0 Comments

Latin America, Caribbean Set for Record Dengue Season

WASHINGTON — Latin America and the Caribbean should prepare for their worst dengue season ever, as global warming and the El Niño climate phenomenon fuel the mosquito-borne epidemic, a U.N. health agency warned Thursday.

In less than three months in 2024, regional health authorities have already tallied more than 3.5 million cases and a thousand deaths from the virus, which is spread by the bite of an infected mosquito.

“Probably this will be the worst dengue season [in the region],” said Jarbas Barbosa, director of the Pan American Health Organization.

The 3.5 million cases recorded so far are three times more than the number of infections at this point in 2023, a record year that saw 4.5 million cases, Barbosa said.

Dengue, which can cause hemorrhagic fever, is common in hotter countries and occurs mainly in urban and semi-urban areas.

It infects an estimated 100 million to 400 million people yearly, though most cases are mild or asymptomatic, according to the World Health Organization.

The increase in the number of infections is seen in all countries in Latin America and the Caribbean, but especially in Brazil, Paraguay and Argentina, which represent 92% of all cases and 87% of deaths. 

0
Science & Health
0 Comments

Japan Moon Probe Survives Second Lunar Night

TOKYO — Japan’s unmanned moon lander woke up after surviving a second frigid, two-week lunar night and transmitted new images back to Earth, the country’s space agency said Thursday.

“We received a response from SLIM last night and confirmed that SLIM had successfully completed its second overnight,” the Japan Aerospace Exploration Agency (JAXA) said in a post on the official X account for its Smart Lander for Investigating Moon (SLIM) probe.

“Since the sun was still high in the sky last night and the equipment was still hot, we recorded images of the usual scenery with the navigational camera, among other activities, for a short period of time,” it added.

A black-and-white photo of the rocky surface of a crater accompanied the post on X, formerly Twitter.

The SLIM lander touched down in January at a wonky angle that left its solar panels facing the wrong way.

Around three hours after the landing — which made Japan only the fifth nation to touch down on the moon — JAXA decided to switch SLIM off with 12% power remaining to allow for a possible resumption later on.

As the sun’s angle shifted, the probe came back to life in late January for two days and carried out scientific observations of a crater with a high-spec camera.

But the spacecraft was not designed for the freezing, fortnight-long lunar nights, when the temperature plunges to minus 133 degrees Celsius.

So space agency scientists had cause for celebration when it was successfully revived in late February after its first lunar night.

JAXA has dubbed SLIM the “Moon Sniper” for its precision landing technology.

The aim of the mission is to examine a part of the moon’s mantle — the usually deep inner layer beneath its crust — that is believed to be accessible.

Thursday’s news came after an uncrewed American lander called Odysseus — the first private spaceship to successfully land on the moon — was unable to wake up, its manufacturer said on Saturday, even after its solar panels were projected to receive enough sunlight to turn on its radio. 

0
Arts & Entertainment/Economy & business
0 Comments

Finalists Named for First Women’s Nonfiction Prize

LONDON — Books about the dizzying impact of the internet and artificial intelligence are among finalists for a new book prize that aims to help fix the gender imbalance in nonfiction publishing.

The shortlisted six books for the inaugural Women’s Prize for Nonfiction, announced on Wednesday, include Canadian author-activist Naomi Klein’s “Doppleganger,” a plunge into online misinformation, and British journalist Madhumita Murgia’s “Code-Dependent: Living in the Shadow of AI.”

The 30,000 pound ($38,000) award is a sister to the 29-year-old Women’s Prize for Fiction and is open to female English-language writers from any country in any nonfiction genre.

The finalists also include autobiographical works — poet Safiya Sinclair’s “How to Say Babylon: A Jamaican Memoir” and British art critic Laura Cumming’s “Thunderclap: A Memoir of Art and Life and Sudden Death.”

Rounding out the list are British author Noreen Masud’s travelogue-memoir “A Flat Place,” and Harvard history professor Tiya Miles’ “All That She Carried,” a history of American enslavement told through one Black family’s keepsake.

British historian Suzannah Lipscomb, who is chairing the judging panel, said that “the readers of these books will never see the world — be it through art, history, landscape, politics, religion or technology — the same again.”

The winners of both nonfiction and fiction prizes will be announced at a ceremony in London on June 13.

The prize was set up in response to a gender imbalance in the book world, where men buy more nonfiction than women — and write more prize-wining nonfiction books.

The company Nielsen Book Research found in 2019 that while women bought 59% of all the books sold in the United Kingdom, men accounted for just over half of adult nonfiction purchases.

Prize organizers say that in 2022, only 26.5% of nonfiction books reviewed in Britain’s newspapers were by women, and male writers dominated established nonfiction writing prizes.

0